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Aaron Hill

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Aaron Hill: The Muses' Projector, 1685-1750

Often known for his prominent place in Pope's Dunciad, Aaron Hill's merit as an author has divided late seventeenth and early eighteenth century scholars for years. This book offers an insightful and thorough evaluation of a man who tried his hand at almost every literary genre.

During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, , the firstbiography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity.

Aaron Hill: The Muses' Projector, - Oxford Scholarship

Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes ofneo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson.

During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, , the first biography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity.

HILL THE MUSES PROJECTOR DOCUMENT Original (PDF)

Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes of neo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson. In Hill, as stage manager and librettist, introduced Handel to the English stage, as well as lobbying tirelessly for innovation in the eighteenth-century theatre.

His entrepreneurial energies, directed at both commercial and cultural projects, mirror the zeitgeist of early Hanoverian Britain. Gerrard argues a strong case for a Whig style of art that was not necessarily inferior to the satirical mannerism of Pope and his allies Her magisterial examination of Hill covers every aspect of his existence, as adventurer his first work was a travelogue, written at age twenty-three, through the Middle East , married man, father, lover, entrepreneur, financier, politician, and finally valetudinarian.

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